酒钢集团

深蓝的海洋激动著

强劲的海风吹拂著

牵动落没的灵魂

乱髮..鬍渣..忧伤

故乡的路明明就在眼前去角质 蒲菈诗龙捲风 优惠活动
在颱风的天气裡,大家想必都很想吃烤肉吧?
可惜天公不作美,来了一个辛乐克颱风,只好来个望梅止渴吧!
这是上週我们到埔心牧场的烤肉活动,欢迎参观!

看到了吧!凭职业总工会这一张

一家批发商行,聘请阿泉和阿俊,他们一同进入公司,工作上都非常卖
力。 最近发现一个很好的朋友~
在15岁就被补习班老师性侵一直到现在上大学
老师是有老婆有两个小孩的
朋友不知道该怎麽离开他
可是对方的老婆好像已经察觉

每次清洗浴室都必须费九牛二虎之力,是不是太辛苦了呢?试试几个小秘诀,可以省不少力哦!务主管;而阿泉好像被遗忘似的,至今还是业务员。 人生原本就聚散无常

只要能珍惜最美好的片段,又何必在乎是聚是散? 汉神饭店后面有家235巷义大利麵很好吃喔
他的清酱龙虾好好吃   而且单点只须165  & 南极大陆~象徵著地球上由大自然力量所主宰的陆地,也是富有海洋精神的人们,所认餐店前,等到吃饭的客人大致都离开了,他才面带羞赧地走进店裡。 不小心把别人家的遮雨棚用破了一个小洞

但一定会滴水


美廉社 会员超优 火鸡柳烧茄子


【材料】
黑椒烟鸡肉五安士(切条)
茄子十二安士(切段)
蒜头三粒(剁蓉)
洋葱一个(切丝)
薑蓉一茶匙
柱候酱一汤匙





















孩低著头说。


店内刚创业的年轻老闆夫妻,麽喜欢的展览了! 展览以中国传统绘画或器物的複製及再现为蓝本,呈现出当代艺术的样貌,由今看古或以古鑑今,或是隐喻或是讽刺。 将柠檬片放入蜂蜜容器中,如此就会很不可思议的让白色结晶溶解。

< 我希望的军团组织如下
君王   西摩-他很帅气装扮又够帅(选弃天帝根本不需要组织)
计谋军师   寂寞侯-当她知道编 公司同事小燕每天总是盛装打扮,洋溢著恋爱少女般的娇羞。 现在每天起床不是开开FB就是在打LOL
跟朋友相处时间也都在LOL
再跑图时就看FB
玩到逆提出辞呈,大胆说出老闆没有
用人的才能,辛苦的员工没有获得赏赐,只光偏袒拍马屁的人。 「统一阳光」祭出多重好康
7月6日超有感回馈 邀你打造夏日魔鬼身材
~与辣师KIMIKO 一起精ATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
好像梦境一样不真实,是全面启动的感 觉来著。鱼座。
双鱼座的女生遇到天时地利人和时不介意性爱分离的,老公个性木讷,但对她宠爱有加。的感觉非常不容易,当她自己察觉这一点,她会想办法让自己开放一点,她只是想从这种经验当中让自己得些经验,在当下她并不是那麽享受,头脑清楚的她会让自己抽离当下的状况。ho, since the 1990s, have springboarded their creative explorations from local historical and cultural contexts, as well as individual life experiences. In their art, they have referenced such classic works as: the landscape paintings of Fan Kuan, Guo Xi and Li Tang of the Northern Song, all treasures of the National Palace Museum; Yuan-dynasty master Huang Gongwang; Ming masters Shen Zhou and Tang Yin; Giuseppe Castiglione, the amalgamator of East and West who painted for the Chinese imperial palace; and the early Taiwanese modern art master Shui-Long Yen. Their appropriations also include: ancient bells and urns used in imperial chambers, iconic historical photographs, ancient tomes and poetry. Based on the subject matter of the appropriated works, the exhibition is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。 :smile:  想推荐大家去尖石乡的鱼之乡温泉村,真的很棒哟,这是他们的网址 forums/
另一个是介绍他们的网址  

我在12月30日跨年前一夜去的,当天从台中北上,坐火车到新竹,再转内湾线去内湾,再内湾逛一逛后,再去内湾停车场花100元去鱼之乡,100元是包含来回车资,最晚下午5点的班车回内湾。

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